Showing posts with label Head Sculpture. Show all posts
Showing posts with label Head Sculpture. Show all posts

Tuesday, November 18, 2008

Final Figure Model

Today was the final session with our models Jon and Zenia in John Horn's figure modeling class. The next step is to cast the sculptures over the last few weeks of class.

This was the first bust of someone I have ever done from life and the first since I was about 10-11 years old, when I sculpted a bust of Jesus back in grade school. that piece was disqualified because they said I couldn't have done it myself and must have had my parents help me.

I did have some help on this from Mr. Horn, my fantastic teacher I will readily admit. All John had to do was look at the sculpt for 10 seconds and make a few pushes here or there, or take a tool and make a deft cut here or push there and suddenly the piece would have what it needed.

I have wanted to sculpt for a long time and finally getting to do it has been very challenging, frustrating and also fun. I still hope to be a sculpture minor and have some pretty cool ideas I'd like to make and themes to explore. PAFA is to my mind really the best place left in the country to study figurative sculpture and the cast hall is a fantastic resource in that regard.
This piece still could use a lot more refinement, but that's all the time we have, so this is as far as I could take it. I know with more practice I'd get farther, faster and learn to deal with things like the model moving around, doing eyes (which are friggin hard!) and the esthetics of the smooth surface vs the rougher sculpt where you can see the finger prints of the sculptor, which I really like.
The part I am happiest with is the hair as I think that adds a real nice balance with a cool texture and almost gestural movement.I had to fight this thing tooth and nail at times, the further along you get the harder the little things become. I think I sculpted and re-sculpted the mouth 5 times alone. My buddy Jeff who's taken several sculpture classes before was also a really big help at times, especially when John horn wasn't in the un-instructed classes.

Saturday, November 15, 2008

Near Semester's End

With the wet windswept weather and the nearly bare trees fall really swept into Philly this week as a herald of the Thanksgiving Break and the end of the fall semester that will be upon all of us students and teachers in just a few short weeks. As I type this post I can hear the soft chatter of the blowing leaves racing each other in wind driven sprints down Fairfield Street.

There is always a certain amount of anxiety in the student population at this time of year, "I have sooooo much homework!" is a very common complaint heard at the lunch able or in the elevator. Many a charcoal smudged face appears tired from lack of sleep, and I am a face in that crowd for sure.

In the two classes on storyboarding I teach at both DCAD and Uarts some students are struggling, and some have dropped the classes all together, especially at DCAD this semester. The next 3 weeks will make it or break it for many more students, including myself.

To be frank, the amount of homework I get as a student is nothing compared to the amount of work I do as a professional. School work is a walk in the park on a sunny day compared to the grind of a storyboard. Homework for me is a joy, time for me to do something for myself and try and push myself to a higher place as an artist, to experiment, try out what I've been learning. I know my perspective as a student is unique, I am a 25-year-professional, returning to school with a lot of experience which is a big help. Homework is a day at the Art Gym, or a week, to strengthen myself and try and apply what we are learning in class so when we leave and enter our studios in the 3rd year, man, we should be ready to tear into some art.

So, my challenges are different in that I can easily do the work at school physically, it's the challenge of pushing myself up Art Mountain that is the issue. As a younger artist I think you can make great leaps forward in ability, but I haven't felt any great leaps, it's more of a steady (hopefully) gate, an inch, a step at a time for me.
The challenges I have are harder now, "It's all about the little things" as my still life teacher Mike Gallagher put to me.

I this regard I feel I have made progress this semester. I have been pushing for a more "poetic' and personal feel in my work, trying to really define my way, my path, find my voice and what I want to do, how I want to speak as an artist. This of course is totally seperate from my commercial work, where I pretty much know exactly how I want to speak, or how I have been hired to speak--on model.

I think I have come closest in my Still Life Class to getting what I am after by doing the smaller more intense studies. By working smaller I force myself to not rely on one of my greatest skills as an artist which is my line, a line I use every day in my commercial work. Instead i have to concentrate on composition, value, shape and atmosphere a lot more to compensate. the challenge now is to take what I am getting in the smaller studies and transfer that to a bigger drawing.

The one at the top of the post is the next round in this quest. Now I have decided to continue to only draw and not paint, but to now work on a mid-tone paper and introduce white into the value scale. I think I will try a few more like this and then possibly do one smaller painting for my final go in the Still Life class.

Below are some of the other pieces I've done and pictures of my fellow friends and students from my anatomy and still life classes.

One more session with the model and then we are off to cast the heads.
This is from our Thursday night open figure sessions run by the students. I got things blocked in and have 2 more weeks with this pose to see where I can take it.
A figure comp assignment from John Horn's anatomy class.


From our recent mid-tern still life crit.
Liza working on her big, big drawing...





John Horn reviewing our homework.