Summer Heat

Summer has pretty much cooked off here in the studio, literally so in the past few days with temperatures with a heat index of 108-112 degrees. It has been so hot I was forced to put in my second air conditioner up stairs to try and make it workable for me. Having my arm stick to the paper and the paper act like a damp cloth is something that makes deadlines even less bearable and inking suck. As a result I have been taking the afternoons off in the peak of the heat and working later in the night when the temps drop. I look forward to the crispness of fall, but honestly dread the idea of winter and snow. I can't see myself living in snow the older I get, and the idea of a sunnier climate appeals to me more and more. Another hottest year on record they say and I can believe it!

Working away and feeling a bit of strain these weeks to be honest I came to realize it has been six years since my last real vacation, and that I won't have one this year--again. I'm certain many cartoonist, or strip cartoonists feel this pain. Trying to build more time into doing the strips is a constant battle. I remember hearing a quote from the late, great Leonard Starr that one day he looked up from his drawing table and 35 years had passed. Well I am close to that very number now myself as a pro cartoonist but almost 40 since I started working in art at 15.

There are days you feel the Burn, the energy is not quick to come and those are the hard days to be sure where its habit and practice that server as much as anything else to get the job done---though I have to say this Phantom story is fun, and a lot of research.

                                                      Two more pages from the DC job



Things will be very different this fall for the first time in 15 years as I will not be teaching any classes. I some ways I will miss it and in someways I will not, it was sometimes a big deadline crunch for me on teaching days, but mainly I am just so busy now with two strips. Things have certainly changed a lot school wise and price wise in that time, some places literally doubling in price, or more. I feel for any kid with a dream, but I am less and less about the colleges and art schools and more about the ateliers these days where you can get the skills without the BS and expense. I just interviewed Jeff Watts about his Watt Atelier near San Diego for the next issue of Draw!

                                            Pencils from an upcoming Judge Parker Sunday


 Jeff has a great school and one I did consider before PAFA, but at the time I didn't want to move and like Nelson Shanks school, Incamminati, didn't offer a degree ( Incamminati does now through a local college)-- at the time I wanted the degree as I was teaching, and something you need to teach on a college level now. But I wonder sometimes how different things could have been if I did go to either of those other places or move to California 10 years ago.

So, I will be putting my energies more into focusing on new projects like getting a collection of Comic Art Bootcamp from Draw! ready to print for 2017 and another book or two including a new version of From Script to Print with Danny Fingeroth, the first version is now out of print and going for over a hundred bucks I have been told. I also will be focusing more on some personal painting or art projects I have been too busy to do. Teaching is just one spinning plate I have to let drop for now.

                                                Another week of the Phantom in progress

I have painted the least this summer and this year of any since I started school and graduated, though I am thinking about painting all of the time and want to get back to it in a big way by next year. My mind has been changing about maybe what I had originally intended to do as a painter and the fact that I am not/and will not be a full time painter and that its a real probability I will never be one.

I would have to sell an awful lot of paintings to equal my commercial income and I don't see that as a current possibility. When I was in school I thought that maybe I'd transition over, but the the financial collapse happened and the debt from school piled up too. But Art is long, so I hope I can paint into  my 70-even 80's if I live that long, and my eyes stay good, so I took that pressure off the table. I will also need to market my art maybe in a different way and the traditional galleries seem to be suffering, at least in Philly. So many things to think over and study while working away on the guy in the purple underwear.

The Phantom The Bat and Supes

Here are a few more pages from the Tomb job for DD Digital. Here are my layouts and my pencils. I drew my layouts at print size, scanned them in, blew them up and worked over them on my lightbox for speed.

                                      And here is the last week's worth of the Phantom.

Animation Backgrounds: The Steranko Effect

More from the Manley Archives:

These are a few backgrounds from Superman which were based on the style of Steranko's Nick Fury comic work. That episode had a very S.H.I.E.L.D. feel to it and they wanted me do work on the BG's on that show since I was a comics guy and also a Steranko /Kirby fan as well.

These were all inked with a micron pen to keep it very clean and I had my S.H.I.E.L.D. comics out for inspiration the whole time. The tone was done with a Prisma Color pencil using the canvas pad under the drawing to get the texture. These were a lot of fun to do, I really liked working on Superman and still think it's one of the best interpretations of the character

Something Old

While cleaning up my archives ( or piles as some call them) I came across this old piece I did in highs school. This thing is almost 32 years old! I think the assignment was to illustrate a word. Each figure is draw on a separate piece of paper and then it was pasted down and the work Comix was cut out of a sheet of yellow illustration board. I kinda' remember donig it and coloring this with those old Design markers, the kid that would get you high and give you cancer because of all of the bestine in them. The were inked with rapidographs and I think a 00 brush---what I was using at the time. I think you can see all of my big main comic influences at the time from Kirby to Adams and Buscema, I even put in a Captain Canuck head as I really like the book at the time. Looking on the back I bot a B+ I think because it's hard to read the word, which is really true.

Superman-Batman layouts

Here are several pages of layouts I did last year for Jerry Ordway on Superman/Batman Worship to help with the old deadline doom.