Hello I'm Mike Manley, welcome to my studio Blog. I am veteran comic and animation artist and I created and edit Draw! Magazine. This blog is a chronicle of what's happening in my studio. Follow my process and path as an painter, cartoonist and teacher and find out how they inform and enrich each other!
Monday, October 29, 2012
PAFA MFA1: Week 9
I'm finally getting to catch up and post my update during my downtime at home during the Hurricane as school was closed today and tomorrow. The doodle above was done while listening to a a lecture in my Writing and Research Seminar . As I listened to the lecture I noticed as I looked around that it seemed that just about everybody was doodling something. I guess those old grade school habits die hard! I did take notes as well.
I had two great crits with Jan Batlzell and Martha Armstrong that gave me some good insight and ideas to chew on about my work, process and some of my ideas. It got me thinking about why I am attracted to certain subjects and how to dig a bit deeper, connect ideas with memory and smell--to get to the core!
Posted by Mike Manley at 9:49 PM 2 comments:
Labels: Drawing, Landscape Painting, MFA1, Michael Cole Manley, Oil Painting, PAFA, Pennsylvania Academy of Fine Arts, Sketching
Friday, October 19, 2012
PAFA MFA 1: Weeks 7 and 8
Many people look at birthdays as a time of renewal and reflection, and I suppose that's true for me, especially this year as there are many goals to reach and bridges to paint. I have been back out to paint after a long spell without any plein air painting and boy have I issed it! Since were all so inspired from our trip to see Andrew Wyeth's studio the DPC decided to hit the Brandywine to paint twice in the last week. I can't tell you all how great it makes me feel to get back out to painting in Plein Air! It is also just about the best place to paint on teh shores of the Brandywine near the Wyeth Museum. I can certainly see why the Wyeth's loved this area so much.
The first trip a, week ago now, the DPC crew rolled out to paint on the museum grounds and the nature trails that run along the Brandywine River. It's been really a tradition for the group to go out there in the fall to paint for the last several years and it was actually our first spot to go painting as a group.
As usual we had a pretty continuous parade of museum visitor passing by and commenting on our work and watching us paint.
Alina and Will drew a steady crowd as they were closer to the museum.
If I had a dime for every time somebody commented "You must be Andrew's grandson" I could retire---or maybe buy a Wyeth painting! I had not been out painting since July--so I was anxcious to get out and get going. I picked a spot and plotted the angle of the sun, planning ahead to be firing in and finishing the painting during the "golden hour" or when the sun was setting and trickling everything with its golden color.
Alina and Will painting away.
Lexi painting with some kind of wedge she bought at AC Moore.
Lexi's final painting. I want to get one of those wedges!
Will's final painting which I think turned out great!
Here is my setup.
Once I was done I took a break and watched the gang paint and snapped a few pics, but since there was still some light left I decided to try and pump uot one more small painting of the train bridge before teh sun really went down---I had maybe about 45 minutes to try and get this little one done. It's not great, but it was fun to do.
I arrived early and decided to walk around and explore and ended up finding this whole nature walk I never knew about even though I have been going to the Wyeth Museum for 25 years. When Will arrived he and I picked a really majestic spot and went at it painting until disasters struck. I knew the tide would rise but not as much as it did, and it happened really quick--I kept at painting until I was forced literally up against the driftwood and had to stretch out over the water to the easel---that's when it was time to call it a day!
So I got back, dried my pants and I'm hoping my shoes dry by tomorrow, but I busted out the gear and set about to finish up the painting while the iron was hot as they say. I had to finish this painting up from several photos. That's OK, I had a strong block-in which really had the structure and the values pretty set in, so tickling it up at home was a lot of fun and pretty easy. The painting is 16 x 20 in Oil.
Now I have to turn my tasks to writing another paper for my Writing a Research Seminar and another homework assignment for my Drawing Seminar.
I know from this week forward time will quicken with the holidays coming, so I really want to get back out to paint before the colors completely change and go, so I figure that gives me about a week or so depending on the weather.
Sunday, October 07, 2012
PAFA MFA 1: Week 6
I had my first crit with Martha Armstrong who is my visiting critic this semester and that went really well. I got some good feedback on the current painting I have going.
Andrew Wyeth's studio and the sign he had hanging on the door in case any curious autograph seekers came a' nocking.
I also helped my good buddy David Campbell Wilson set up his first solo show at Rodger LaPelle which opened this First Friday. Its a great show and you should definitely see it, Dave has lots of beautiful and affordable work on display.
In drawing seminar we had the usual good crit and then Mike had us all do a collaborative drawing in class. I felt sort of like a little kid as it was like a drawing you'd do as a kid with your brother or friends. We broke into groups and drew away. We decided to draw moving around in a circle. The final drawing is a real mash-up as they say. Some found this refreshing or fun and some I think much less so. Wenxing one of the students in class is from China and its great to see each week as her English gets better as well as her ability to communicate her ideas. She and Mike had a great exchange this week which was at time pretty funny. One of the things I always find so interesting in class is the poses my fellow artist get into when doing the critique. I'm always watching and observing this, sometimes people mimic each others poses or hand positions and gestures when in agreement.
I should do a drawing of this, everybody's pose is so much more interesting and vital, real, than when you have models pose.
Here is our collaborative drawing--I wonder if any of you can tell what I drew? The High School program started this week ad we had a record turnout--50+ students from schools all over the city turned out for the college level classes that run each day from 3-5:30. The illustration class was so packed we eneded up in two rooms and I rushed back and forth doing demos in both. This week we will do something different by having expanding the set-up in one of the rooms to handle the number of students into one space to make the class run more effectively.
I came in to pinch hit with the figure drawing class that had a huge wave of students show up on Thursday--so much so we split the group into two rooms and I ended up volunteering to be the model in the second group as we only had one model scheduled. I have to say, every time I end up modeling I really come to appreciate how tough it can be and how a good model is important. I tried to give the class some cool and fun poses and its always a kick to see what the drawings look like. Everybody had a good time and they turned out some swell drawings.
William Troust Richards. It is not to be missed as the work is just incredible. I attended the opening and plan on going back often to see the exhibit while its running.
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