Hello I'm Mike Manley, welcome to my studio Blog. I am veteran comic and animation artist and I created and edit Draw! Magazine. This blog is a chronicle of what's happening in my studio. Follow my process and path as an painter, cartoonist and teacher and find out how they inform and enrich each other!
Saturday, September 19, 2015
Judge Parker Process
I inked a lot of this current week with the Hunt 108 nib which is great for hair, a main feature of this strip--good hair! As much as I try and draw sexy women with ample cleavage for the "readers' interested mostly in those angles, something that I carried over from the previous strip artists, a lot of this strip ends up being talking heads so drawing good hair is a big part of the sexiness or appeal.
Posted by Mike Manley at 2:50 PM 4 comments:
Wednesday, September 16, 2015
DRAW! 31 at the Printers
Posted by Mike Manley at 5:21 PM 1 comment:
Labels: Draw Magazine
Burlington Plein Air 15
One of the nice things about this years event was the three weeks we were given to come and go and execute our paintings in the city of Burlington, NJ. This was great as it allowed me to fit the painting days into my schedule with work as well as carpool with Alina and Will and co-ordinate with Charles to do both day and night painting.
This years event was hosted by 28 East Gallery and its owner Melanie Pease and was limited to 30 artists and you were limited to entering three pieces each, but you could do as many paintings as you wanted. There were a lot of prizes available from the city, the Lyceum, Dick Blick, Jerry's and more. The judge even handed out several extra Honorable Mentions.
I have been to Burlington several times and was fairly familiar with some of the city, but I did use google maps street view to cruise the city block by block to really scout locations to save time and gas while there and maximize painting time--which as you know as a plein air painter is always running.
Afternoon Break 12 x 12 Oil
This also meant arriving and choosing a view that would last long enough to paint in the 3-4 hours we'd have for each painting. When I first started landscape painting I raced the sun but didn't plan the times well to go out. Now I do and so some spots while good subjects were not good at the time I was there to paint.
Of course when painting out in public we always had a lot of on-lookers, interested and curious people and the word had spread about the painters being in town again this year. Of course certain members of our party always garnered more interest than others, which made painting a lot more difficult for her.
I did five paintings over the three weeks, I wish I had done more but I just had too much work, but I did attempt one night painting which I flamed out on. I bought a headlamp to use but it was actually so bright it glared off the painting making it very difficult to see. I also probably did it too big, 16 x 20, which increased the difficulty. So I will have to work on that arrangement and technical aspect here at home to get the lighting right before I attempt another night painting.
One of the things about these competitions for me is picking views and subjects that are interesting for me to paint as opposed to trying to paint something that might look good as a standard view of a building or street scene. Trying to guess what the judges might like. Most painters go for a conventional view, which is fine, paint what you want, but its the reason I didn't submit my painting of the little wrecked boat in Curtain's Marina. I figured (and was right) several other artists also painted that same boat. Go for something different was on my mind. Burlington has a sense of time passed and a melancholy akin to many eastern cities like Philly, a very "Hopperesque" aroma. That really attracts me.
I am so happy my friend Alina won best in show and Charles took second place. Thats two PA competitions in a row they both won something and as a whole I think our work really stood out from the other paintings in the show, I can see each individual's personality but also the influence of our school and teachers too in the way our work is painted.
Two by William Sentman
The reception was nice and I chatted with many of the participating painters most from the nearby area as we snacked on cookies, wine and cheese. So I hope to do this show next year and it sounds like it was a big success and enjoyed by all who participated and its nice to have a local show that isn't 3-4 hours drive each way.
Saturday, September 12, 2015
Harley Quinn Inks
A few weeks back I chipped in to help my best buddy Bret Blevins on a crazy deadline on the Harley Quinn Road Trip issue he was working on for DC. The Deadline Doom reared its ugly head once again, so I jumped in to help. We hadn't worked together in a little while on a comic and it was great to ink his pencils, even if they were a bit loose and I had to ink them blue-line printouts instead of on the original pencils. That always make it tougher as by converting things to the non-repro blue ink you do loose some detail and subtlety of the pencil art.
Bret is certainly on the best guys to ever depict the female form in comics or animation, and its always a joy to ink his work. I even went in and added some old style Zip to the pages in photoshop for fun. I inked 8 pages out of the issue and hope to see a comp soon.
Posted by Mike Manley at 10:04 AM 1 comment:
Labels: Bret Blevins, comic book inking, DC Comics, Harley Quinn, Mike Manley
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